Friday 22 November 2013

Beethoven's resignation







https://books.google.co.uk/books?id=MyTQNOCsRU8C&pg=PA102&lpg=PA102&dq=pig+faced+lady+bear&source=bl&ots=0tpcWKAh2-&sig=QGRWfBrePPvZD11SqiJgPGsYf7c&hl=en&sa=X&ei=1O6RVKbmG8z5aLnugfgN&sqi=2&ved=0CGAQ6AEwDA#v=onepage&q=pig%20faced%20lady%20bear&f=false


http://books.google.co.uk/books?id=4Pzu7_QhfU8C&pg=PA2&lpg=PA2&dq=alexandre+berthier+rabbits&source=bl&ots=-4D1g1_uIs&sig=QFmRQFgrdAmhyskuliGM2jNu6-U&hl=en&sa=X&ei=DI1MUfbhKYLMOZrSgRg&ved=0CEYQ6AEwAw#v=onepage&q=alexandre%20berthier%20rabbits&f=false


http://www.cliftonbridge.org.uk/visit/history/bridge-as-an-icon
http://www.henly.org.uk/henly/sarahhenley.html

http://www.notablebiographies.com/supp/Supplement-Mi-So/Samoset.html

http://books.google.co.uk/books?id=44Vu3DdHFvsC&pg=PA21&lpg=PA21&dq=John+Shirley+The+Death+of+the+King+of+Scotland+tennis&source=bl&ots=tnTZ6askRO&sig=9rsQqZfPNnxPYDuelq7LxbvMCkw&hl=en&sa=X&ei=RtYBUYb0LunK0QXlgoC4BA&ved=0CD8Q6AEwAg#v=onepage&q=John%20Shirley%20The%20Death%20of%20the%20King%20of%20Scotland%20tennis&f=false




Friday 7 June 2013

Other work done as part of the Derby Telegraph

http://www.derbytelegraph.co.uk/Ex-miner-killed-industrial-disease-33-years/story-19078168-detail/story.html

http://www.derbytelegraph.co.uk/Cannabis-plants-city-home/story-19054890-detail/story.html

Step into revealing world of emerging artists at show in gallery

BEYOND One Step is back at the Derby Museum and Art Gallery for the ninth time, showcasing the work of emerging regional artists.

Andrea Hadley-Johnson, the curator, said: "It's a privilege to work closely with emerging artists and to collaborate at this early stage in their career.

"Having a professionally curated exhibition under their belts will allow them to approach other galleries confidently and apply the professional skills gained throughout the process."

Beyond One Step tackles many themes displayed in a variety of ways such as photography, sculpture and social media. The work largely occupies two galleries on the top floor.

Some pieces, like that of Lauren O'Grady's Smoke Screen, feature elsewhere in the museum.

Lauren, 29, a graduate of Nottingham Trent University, says she was: "Inspired by a range of remembered imagery, in particular fragments of landscape like the smoke towers of Nottingham. The ideas behind the work are inspired by speculative fiction, the familiar and unfamiliar, model making, cinematography and history."

The inspiration for each artist is as diverse as their talents.

De Montfort University graduate Paul Folding, 63, says his Call To Mind piece: "Is made up of a series of abstract panels inspired by fond memories of hill walking in Devon and is a response to my feelings and emotions."

Vasiliki Fragkou says her Flowing Feelings sculptures: “espouse Heraclitus who said: ‘All things flow and nothing stands still’”

Elisavet Andreaou, 24, a Fine Art PhD student at De Montfort University says: “Having grown up in a country as traumatised as Cyprus, I began considering the nature of values at a very young age.
“The work interprets the meaning of equilibrium in terms of tradition; how the tradition and culture of my country contributes to the creation of a well-balanced operating system.

“The customs, beliefs, religion, as well as, the arts, moral values and various intellectual manifestations provide the notion of belonging, as well as, the awareness of the national identity of the individual. Thus, tradition operates an institution of equilibrium for the individual and society.”

Bruce Asbestos’s ‘Social Media Takeaway’ occupies a whole room in order to make his weekly videos based upon suggestions by visitors to the gallery and to his Facebook and Twitter accounts. Mr Asbestos, 31, an MA graduate of Nottingham Trent University, said his “unusual” work is inspired by: “what’s possible with the technology we have at the moment and what art we can produce by collaborating with it.”
The artists are delighted with this opportunity at the venue.

Weixi Lin, 24, is a graduate of photography from Nottingham Trent University. She says: "I am very happy to show my inner world with all the audience and I will keep going and move on."

Stephen Elvidge: “it was a privilege to be selected amongst such an exciting and diverse group of emerging artists”

Elisavet Andreaou says: “being a foreign artist makes it even harder to get the chance to exhibit work in the UK, as well as, other significant European and International cultural art centres. I will always be grateful to the Derby Museum and the exhibition leaders for their precious help.”

Carol Harries-Wood, 51, is studying for a fine arts degree at the University of Derby. She says: "My hope is that people will visit the Museum and Art Gallery on a regular basis to see the changes that may happen during the three months that the exhibition will be on."


Beyond One Step will be exhibited until August 11. For more information visit http://www.derby museums.org/museum-and-art-gallery-2/ or call the Derby Museum and Art Gallery on 01332641901.




Also published here:
http://www.derbytelegraph.co.uk/Step-revealing-world-emerging-artists-gallery/story-19078093-detail/story.html

Monday 15 April 2013

Lack of Feedback


Unfortunately I regret to inform you of my misfortune about being unfortunate in my latest employment application misfortune. It soon becomes irksome to be told bad luck over and over again isn’t it? At best it’s an excuse for others to gloss over your shortcomings, thereby helping them avoid the awkwardness of direct criticism and comforting you with the illusion that you couldn’t have done any better.

I’ve been doing job, internship and work experience applications for two years now and that’s pretty much the only feedback I’ve been given by companies as to why I’ve been rejected. The best I got was a brief chat after an interview where the only mistakes that got highlighted were obvious ones I knew I’d made at the time. I’ve found this to be the habit across the board, from small local companies to multinationals, the public sector to the private.

I’m not going to claim I deserved all these jobs but after a while it’s not just rejection that increases apathy but also the realisation that nothing has been achieved from hours and hours of questionnaires, psycho-metric tests and competency interviews all done from the sore-inducing discomfort of my home computer chair. Not one constructive word of feedback in the growing pile of emails lamenting my misfortune.

This may sound petty but how else are people going to improve their prospects if they’re not sure what to improve on? The latest response I received from a company I’ve applied to on numerous occasions was: ‘We would like to thank you for the time you have invested in your application and hope you will consider applying for future opportunities with us.’ But should I bother? I’m not exactly sure where my application fell down, was it; lack of experience, poor responses to questions or that they did not like the look of my name? I’m never told so I’m none the wiser.

Companies of course don’t owe all applicants detailed feedbacks, to do so hundreds of times would be a great waste of their time. Yet each employer has said they’ve considered me so they’ve evidently made their decision for a reason and got a record of it, so why not share it? Give me something more constructive than your pitiful, ‘unfortunatelys.’ It could even be a generic feedback phrase sent on-mass to hundreds of people based on what category of failure they fit into; ‘not enough experience’, ‘your test score was…’, ‘too many consonants in your name.’

This bitterness probably extends from the fact that for most companies I’ve had to indulge in flattery by talking about their success, benefits to customers and dedication towards training up newly hired talent yet they can only offer shallow sympathies to those who wanted to be a part of it.

Tuesday 26 March 2013

The Shrovetide Match


The Match

The Royal Shrovetide Football Match has been a two-day fixture for the village of Ashbourne for at least 346 years. I made my first appearance this year in order to find out where our ‘Beautiful Game’ came from.
The game is simple enough; there are two teams the Up’ards and the Down’ards. Players are allocated to either team based on which side of the Henmore River they hail from and then they are tasked with getting the ball to their team’s goal, both of which are located one-and-a-half miles from the centre of Ashbourne.  There are rules; no trespassing, avoid cemeteries, don’t transport the ball in a motorised vehicle and don’t murder anybody.
The second day of the match began at 2pm with the Up’ards leading by a goal scored the previous day. The ball was ‘turned-up’ from a plinth in the middle of the village whereby possession of it was immediately fought for. A mass scrum known locally as the ‘hug’ soon formed with my Down’ards taking the offensive. The game’s resemblance to Rugby Football can be seen all around; the majority of players wear hooped jerseys, many possess the physiques of props and there are several ‘runners’ lingering around the ‘hug’ waiting for an opportunity to move the ball forward quickly. My average build meant I could only contribute some weight to the Down’ard’s ‘hug.’ I was relieved to find that I would be pushing the ball forwards nearly all afternoon rather than holding back half a village.
The game’s other title of ‘Mob Football’ is not unfair, while there is little malicious violence the lack of team colours means it is hard to differentiate players.  Being in the ‘hug’ can also be somewhat perilous; the mass of bodies before me meant I had no idea where I was about to tread and brief crushes had me struggling for breath. Such complaints seem redundant compared to the heroes/lunatics who chose to carry the ball while being squashed from both sides by dozens of men. My only touches of the ball turned out to be pretty pathetic; on two occasions I flapped and kicked at it like it was a beach ball being completely naive to its weight. Both times the ball travelled about a yard forward.
There are veterans standing towards the back of the ‘hug’ bellowing instructions. Usually they cry “Heave!” to help synchronise the movement of their teammates so they can make steady progress like a Roman legion as opposed to a tangle of legs. Occasionally flair tactics are employed like “Get it in the river!” as a means of testing the other team’s will to get dirty.
After five draining hours I left the match in a steep ditch where it was being illuminated by hand torches, with the Down’ards just two fields from their goal. I’d promised to watch the Champions League with friends; although I wish I’d snubbed seeing Rooney and Ronaldo in favour of helping my side of the mob score.

Tuesday 12 March 2013

A chance to see The Shinig as it's meant to be seen


A chance to see The Shining as it’s meant to be seen
Stanley Kubrick has done a lot to elevate movies’ status to that of an art, which is partly due to him really being a photographer at heart. This association isn’t solely down to his films’ ability to push the boundaries in cinematography, editing and visual metaphor but also for their initially mild receptions before they are gradually recognised as classics.
The Shining is probably the best example of this; with the Academy Awards and BAFTA taking Kubrick off their list of nominees for the first time in 25 years, so the Golden Raspberries offered him a nomination as a condolence that at least he was one of the best of the bad. Audiences didn’t immediately avoid the film, it was a Stephen King novel directed by Stanley Kubrick so how could it be bad? Well Stephen King hated it for starters, the Kubrick faithful thought it was an uncharacteristically straightforward story, while horror fans weren’t doing their usual screaming at stuff catching them off guard. The Shining will not have you jumping out of your skin; in fact it will do the opposite by creeping under it to disturb you to the very core. This film is frightening and it will haunt you for some time.
The setting is the essence of the effect; the labyrinths of rooms, corridors and mirrors at the Overlook Hotel disorientates the audience’s grip on perspective, distant noises echo around the vast emptiness of its walls and the eerie music fills you with pure dread. Kubrick used every trick in his book to create a unique experience,  that’ll certainly put one off mountain resorts for a while. There are also moments and characters that will amplify your anxiety, with Jack Nicholson managing to horrify not one but two seemingly innocent popular catchphrases forever. The feeling of watching The Shining at home or on an iphone or on whatever-gizmo will not be as intense as watching it in a cinema, where you intimately share the trepidation of the characters and feel overwhelmed by the sheer nothingness of the Overlook. I feel slightly cheated that I was unable to awe at some of my favourite films on the big screen due to not being born, which is why I’ll jump at any opportunity to see a Kubrick, Leone or Coppola when it is redistributed. These revivals are exceedingly rare and temporary, so it would be a shame not to take advantage of them.
I am trying to avoid SPOILERS but what’s the point? The film’s been out for 30 years and you’ve probably already seen it or at least seen it parodied in brilliant episodes of The Simpsons. Yet Stanley’s favourite TV show contained a feature that he directly inspired, to hide messages in his works. While The Simpsons usually does this to add another joke to a scene, Kubrick utilised it to reinforce obvious or suggest alternative themes. There is a clichéd assessment of Kubrick films which is that his reputation as a perfectionist means no mistake or continuity error was overlooked but was deliberate and is there for a reason. This has been overstated somewhat, for instance the shadow of the helicopter in the first shot is most likely a mistake (although to be fair Stanley didn’t shoot this due to his fear of flying, despite having a pilot licence. Peculiar fella, yet an intriguing one who knew how to make enduring films). Kubrick put a lot of detail into the visual because he wanted a lot to be left unsaid so the audience could reach their own conclusions. There is no one way to watch a Kubrick film.
People have obsessed over Kubrick films, in fact the interpretations of The Shining-enthusiasts even warranted its own film Room 237, which was released this Autumn. These Kubrickites are academics, playwrights, conspiracy theorists and respected news correspondents, who have hypotheses ranging from plausible metaphors for the deliberately forgotten plight of the Native Americans to the more subtle Holocaust interpretations to the flat-out denied conspiracies that Kubrick was secretly apologising for faking the moon landing. I found another outlandish analysis on YouTube by Kubrick fanatic Rob Ager, who suggests the decline of the Gold Standard in the 1920s and 1930s is a central theme. While they may sound bonkers they do vindicate themselves with the film and they are doing as the director intended by developing their own thoughts rather than being spoon-fed somebody else’s. So be warned, this film can drive you a little mad, not with a murderous lust but with the multiple ways you can make sense of the film. Usually it takes a few views to clear your ideas but remember not to go too far into the maze of details or you’ll struggle to get out.